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Friday, November 1, 2002

Living for Today

Young gay playwright talks about his latest works, sheds light on motivation to live life to the fullest.
Topher Payne, a 22-year-old playwright, balances a part-time job with productions of two plays and pursuing his dreams at breakneck speed.


By Mike Fleming, Southern Voice

To approach Topher Payne as he holds court behind the counter at Outwrite Books & Coffeehouse is to be greeted warmly with wit, sensitivity and intelligence — hints that there is something deeper stirring beneath.
In fact, the young coffee slinger is also a playwright in a whirlwind of activity in the local theater scene, including two current shows.
It's possible right now to be out on the town for an entire day of "non-stop Topher theater," Payne says.
And that's all part of Payne's plan to realize his dreams, he says.
"I've always been taught that if you're not doing what you were placed on this Earth to do, you are wasting your life," Payne says. "I have always believed that nothing is impossible if you want it bad enough."
Not bad for a high school drop out who has been on his own since age 15.
"It's not age that matters," he says. "It's experience."
That experience includes theater work in his home state of Mississippi and director of audience development at Woodruff Arts Center.
He decided to move on and take the job at Outwrite to give himself the time he needs to work on his craft.
Payne's comedy "Beached Wails" is enjoying "small but enthusiastic" audiences in a world-premiere production by Atlanta Classical Theatre. The show is the story of four Southern sisters and how they deal with adversity. It runs for an additional two weeks.
The play is based on Payne's own mother and aunts, who will attend the Nov. 1 performance.
"When I was growing up, I was fascinated just listening to them talk," Payne says. "It wasn't just what they said, but how they were saying it, and I think that comes off in this show."
"Beached Wails" is in part a response to another well loved Southern play about women, "Steel Magnolias," Payne says.
"Of course I'm aware of and love 'Steel Magnolias' like every other Southern gay man," he says. "But there were not really a lot of tough choices in that show. The thing I love about the women in 'Beached' is that they are all incredible women and they are all marvelously flawed."
While "Beached" runs, Payne's just-for-fun show "Solid Gold! That '70s Cabaret," shows in connection with Process Theatre Company.
In the show, Payne plays Cher circa the 1970s, Sonny Bono ("not at the same time," Payne assures), Brad Majors from "Rocky Horror" and a mystery character whose presence is a surprise in the show.
So how does a 22-year-old not only know what he wants, but how to pursue it?
"I've always taken chances," Payne says.
Payne will step back from stage work after "That 70s Cabaret" and devote more time to writing plays. His adaptation of "Cyrano," set in the 1960s, opens in March with Atlanta Classical Theatre. Four plays he's still writing should come to fruition next year.
"We have to take advantage of the time we're given," Payne says. "I could... be hit by a bus tomorrow. We have to approach things realistically and say 'This is what we're going to do with the time we have."

Tuesday, February 26, 2002

Wailing Wall

Beached Wails airs sisterly conflicts
by Curt Holman,
Creative Loafing

Perhaps young playwright Topher Payne can be forgiven for the terrible pun in his title Beached Wails. Writing in the tired subgenre of the Southern women dramedy, a la Steel Magnolias, Payne offers a reasonably original and well-observed work that currently plays on "off nights" on the 14th Street Playhouse's second stage, where Atlanta Classical Theatre is also presenting The Coast of Illyria by Dorothy Parker and Ross Evans.
Directed by Sonny Goff, Wails depicts the loving but fractious relationship of four sisters: matronly Virgie (Leigh McClelland), caustic widow Brenda (Kathy Simmons), "saved" Christian Katie (Julie Oshins) and working mother Dana (Jennifer Gaydeski). They're enjoying their annual vacation to Gulf Shores, but Hurricane Louis threatens to cut their trip short.
Inclement weather closes the roads and strands the women in a beach house with an amiable, 21-year-old underwear model (Scott Shelfer), who wears gratuitously little and bends over a lot (in a gesture at equal exposure, Dana frequently shows off her legs). The tradition for this kind of play is for each character to have a deep-seated problem to air out, but Brenda's is rather surprising, as she believes the hurricane might be a sign from her late husband -- who was also named Louis.
Given that the play involves a hurricane, it shouldn't be a surprise that the speeches can get a little windy, while savage arguments blow up with insufficient warning. But the four actresses have an easy chemistry with each other, comfortably delivering Payne's quips about pain-in-the-neck husbands, prayer circles and useless wedding presents. But Beached Wails could use a more definitive ending: Closing the show with the sisters miming along to a Supremes song seems like an idea of last resort.